Textured Wood

Holzfurnierungen mit Riefel-, Meissel- oder Hämmereffekt... Abgestufte Farbtöne weiß, schwarz und grau in 6 Mustern. Oberflex® Oberflächenausführung.

Referenzen

Wellen


Wellen Eiche schimmernd 308
Wellen Eiche schimmernd 308
Wellen Eiche grau 309
Wellen Eiche grau 309
Wellen Eiche asche 310
Wellen Eiche asche 310
Wellen Eiche fliessend 311
Wellen Eiche fliessend 311
Wellen Eiche antik 312
Wellen Eiche antik 312
Wellen Eiche Salbei 326
Wellen Eiche Salbei 326
Wellen Eiche Pastel grau 327
Wellen Eiche Pastel grau 327
Wellen Eiche Grège 328
Wellen Eiche Grège 328
Wellen Eiche gekalgt 329
Wellen Eiche gekalgt 329
Wellen Eiche in Wenge-Ton 412
Wellen Eiche in Wenge-Ton 412
Wellen Eiche Mooreiche-Ton 416
Wellen Eiche Mooreiche-Ton 416
Wellen Weiße Eiche 990
Wellen Weiße Eiche 990
Wellen Schwarze Eiche 991
Wellen Schwarze Eiche 991
Wellen Sapelli
Wellen Sapelli

Kroko


Kroko Eiche schimmernd 308
Kroko Eiche schimmernd 308
Kroko Eiche grau 309
Kroko Eiche grau 309
Kroko Eiche asche 310
Kroko Eiche asche 310
Kroko Eiche fliessend 311
Kroko Eiche fliessend 311
Kroko Eiche antik 312
Kroko Eiche antik 312
Kroko Eiche Salbei 326
Kroko Eiche Salbei 326
Kroko Eiche Pastel grau 327
Kroko Eiche Pastel grau 327
Kroko Eiche Grège 328
Kroko Eiche Grège 328
Kroko Eiche gekalgt 329
Kroko Eiche gekalgt 329
Kroko Eiche Wenge 412
Kroko Eiche Wenge 412
Kroko Eiche Mooreiche-Ton 416
Kroko Eiche Mooreiche-Ton 416
Kroko Weiße Eiche 990
Kroko Weiße Eiche 990
Kroko Schwarze Eiche 991
Kroko Schwarze Eiche 991
Kroko Sapelli
Kroko Sapelli

Versteinertes Holz


Eiche schimmernd 308 Versteinertes Holz
Eiche schimmernd 308 Versteinertes Holz
Eiche grau 309 Versteinertes Holz
Eiche grau 309 Versteinertes Holz
Eiche asche 310 Versteinertes Holz
Eiche asche 310 Versteinertes Holz
Eiche fließend 311 Versteinertes Holz
Eiche fließend 311 Versteinertes Holz
Eiche antik 312 Versteinertes Holz
Eiche antik 312 Versteinertes Holz
Eiche Salbei 326 Versteinertes Holz
Eiche Salbei 326 Versteinertes Holz
Eiche Pastel grau 327 Versteinertes Holz
Eiche Pastel grau 327 Versteinertes Holz
Eiche Grège 328 Versteinertes Holz
Eiche Grège 328 Versteinertes Holz
Eiche gekalgt 329 Versteinertes Holz
Eiche gekalgt 329 Versteinertes Holz
Eiche in Wenge-Ton 412 Versteinertes Holz
Eiche in Wenge-Ton 412 Versteinertes Holz
Mooreiche 416 Versteinertes Holz
Mooreiche 416 Versteinertes Holz
Weiße Eiche 990 Versteinertes Holz
Weiße Eiche 990 Versteinertes Holz
Schwarze Eiche 991 Versteinertes Holz
Schwarze Eiche 991 Versteinertes Holz
Sapelli Versteinertes Holz
Sapelli Versteinertes Holz

Meißel


Meißel Eiche schimmernd 308
Meißel Eiche schimmernd 308
Meißel Eiche grau 309
Meißel Eiche grau 309
Meißel Eiche asche 310
Meißel Eiche asche 310
Meißel Eiche fliessend 311
Meißel Eiche fliessend 311
Meißel Eiche antik 312
Meißel Eiche antik 312
Meißel Eiche Salbei 326
Meißel Eiche Salbei 326
Meißel Eiche Pastel grau 327
Meißel Eiche Pastel grau 327
Meißel Eiche Grège 328
Meißel Eiche Grège 328
Meißel Eiche gekalgt 329
Meißel Eiche gekalgt 329
Meißel Eiche Wenge T412
Meißel Eiche Wenge T412
Meißel Eiche Mooreiche-Ton 416
Meißel Eiche Mooreiche-Ton 416
Meißel Weiße Eiche 990
Meißel Weiße Eiche 990
Meißel Schwarze Eiche 991
Meißel Schwarze Eiche 991
Meißel Sapelli
Meißel Sapelli

Brüstung


Eiche schimmernd T308 Brüstung
Eiche schimmernd T308 Brüstung
Eiche grau T309 Brüstung
Eiche grau T309 Brüstung
Eiche asche T310 Brüstung
Eiche asche T310 Brüstung
Eiche fliessend T311 Brüstung
Eiche fliessend T311 Brüstung
Eiche antik T312 Brüstung
Eiche antik T312 Brüstung
Eiche Salbei 326 Brüstung
Eiche Salbei 326 Brüstung
Eiche Pastel grau 327 Brüstung
Eiche Pastel grau 327 Brüstung
Eiche Grège 328 Brüstung
Eiche Grège 328 Brüstung
Eiche gekalgt 329 Brüstung
Eiche gekalgt 329 Brüstung
Eiche Wenge T412 Brüstung
Eiche Wenge T412 Brüstung
Eiche Mooreiche-Ton T416 Brüstung
Eiche Mooreiche-Ton T416 Brüstung
Weiße Eiche 990 Brüstung
Weiße Eiche 990 Brüstung
Schwarze Eiche 991 Brüstung
Schwarze Eiche 991 Brüstung
Sapelli Brüstung
Sapelli Brüstung

Hammerschlag


Hammerschlag Eiche schimmernd T308
Hammerschlag Eiche schimmernd T308
Hammerschlag Eiche grau T309
Hammerschlag Eiche grau T309
Hammerschlag Eiche asche T310
Hammerschlag Eiche asche T310
Hammerschlag Eiche fliessend T311
Hammerschlag Eiche fliessend T311
Hammerschlag Eiche antik T312
Hammerschlag Eiche antik T312
Hammerschlag Eiche Salbei 326
Hammerschlag Eiche Salbei 326
Hammerschlag Eiche Pastel grau 327
Hammerschlag Eiche Pastel grau 327
Hammerschlag Eiche Grège 328
Hammerschlag Eiche Grège 328
Hammerschlag Eiche gekalgt 329
Hammerschlag Eiche gekalgt 329
Hammerschlag Eiche Wenge T412
Hammerschlag Eiche Wenge T412
Hammerschlag Eiche Mooreiche-Ton T416
Hammerschlag Eiche Mooreiche-Ton T416
Hammerschlag Weiße Eiche 990
Hammerschlag Weiße Eiche 990
Hammerschlag Schwarze Eiche 991
Hammerschlag Schwarze Eiche 991
Hammerschlag Sapelli
Hammerschlag Sapelli

Riffel


Riffel Eiche schimmernd 308
Riffel Eiche schimmernd 308
Riffel Eiche grau T309
Riffel Eiche grau T309
Riffel Eiche asche T310
Riffel Eiche asche T310
Riffel Eiche fliessend T311
Riffel Eiche fliessend T311
Riffel Eiche antik T312
Riffel Eiche antik T312
Riffel Eiche Salbei 326
Riffel Eiche Salbei 326
Riffel Eiche Pastel grau 327
Riffel Eiche Pastel grau 327
Riffel Eiche Grège 328
Riffel Eiche Grège 328
Riffel Eiche gekalgt 329
Riffel Eiche gekalgt 329
Riffel Eiche Wenge T412
Riffel Eiche Wenge T412
Riffel Eiche Mooreiche-Ton 416
Riffel Eiche Mooreiche-Ton 416
Riffel Weiße Eiche 990
Riffel Weiße Eiche 990
Riffel Schwarze Eiche 991
Riffel Schwarze Eiche 991
Riffel Sapelli
Riffel Sapelli

Geriefeltes Holz


Eiche schimmernd 308 Geriefeltes Holz
Eiche schimmernd 308 Geriefeltes Holz
Eiche grau 309 Geriefeltes Holz
Eiche grau 309 Geriefeltes Holz
Eiche asche 310 Geriefeltes Holz
Eiche asche 310 Geriefeltes Holz
Eiche fließend 311 Geriefeltes Holz
Eiche fließend 311 Geriefeltes Holz
Eiche antik 312 Geriefeltes Holz
Eiche antik 312 Geriefeltes Holz
Eiche Salbei 326 Geriefeltes Holz
Eiche Salbei 326 Geriefeltes Holz
Eiche Pastel grau 327 Geriefeltes Holz
Eiche Pastel grau 327 Geriefeltes Holz
Eiche Grège 328 Geriefeltes Holz
Eiche Grège 328 Geriefeltes Holz
Eiche gekalgt 329 Geriefeltes Holz
Eiche gekalgt 329 Geriefeltes Holz
Eiche in Wenge-Ton 412 Geriefeltes Holz
Eiche in Wenge-Ton 412 Geriefeltes Holz
Mooreiche 416 Geriefeltes Holz
Mooreiche 416 Geriefeltes Holz
Weiße Eiche 990 Geriefeltes Holz
Weiße Eiche 990 Geriefeltes Holz
Schwarze Eiche 991 Geriefeltes Holz
Schwarze Eiche 991 Geriefeltes Holz
Sapelli Geriefeltes Holz
Sapelli Geriefeltes Holz

Sägerauhes Holz


Sägerauhes Eiche schimmernd 308
Sägerauhes Eiche schimmernd 308
Sägerauhes Eiche grau 309
Sägerauhes Eiche grau 309
Sägerauhes Eiche asche 310
Sägerauhes Eiche asche 310
Sägerauhes Eiche fließend 311
Sägerauhes Eiche fließend 311
Sägerauhes Eiche antik 312
Sägerauhes Eiche antik 312
Sägerauhes Eiche Salbei 326
Sägerauhes Eiche Salbei 326
Sägerauhes Eiche pastel grau 327
Sägerauhes Eiche pastel grau 327
Sägerauhes Eiche Grège 328
Sägerauhes Eiche Grège 328
Sägerauhes Eiche gekalgt 329
Sägerauhes Eiche gekalgt 329
Sägerauhes Eiche wenge 412
Sägerauhes Eiche wenge 412
Sägerauhes Eiche Mooreiche-Ton 416
Sägerauhes Eiche Mooreiche-Ton 416
Sägerauhes Eiche weiße 990
Sägerauhes Eiche weiße 990
Sägerauhes schwarze Eiche 991
Sägerauhes schwarze Eiche 991
Sägerauhes Sapelli
Sägerauhes Sapelli

Produktansicht


Eigenschaften

AUSFÜHRUNGEN satin • matt • perlmutteffekt (je nach Artikel)
FORMATE
Standardformate: 305 x 127 cm • 252 x 127 cm
Türen: 215 x 95 cm • 215 x 127 cm • 305 x 95 cm • 252 x 95 cm
Außer Artikel in Eiche schwarz und weiß:
Standardformate:
302 x 123 cm • 252 x 123 cm
Türen:215 x 95 cm• 215 x 123 cm • 302 x 95 cm • 252 x 95 cm
FEUERSCHUTZKLASSEN M2 • M1 (auf Anfrage)
DICKEN

Holz mit Meißel-, Kratz-, Riefel-, Hämmereffekt oder Krokomuster:
13/10e mm in den Qualitäten M2 et M1

Holz mit Sandoptik: 10/10e mm in der Qualität M2 - 13/10e mm in M1 (außer die Artikel in Eiche schwarz und weiß: 13/10e mm in M2 et M1)

BIEGUNG Kaltbiegung parallel oder senkrecht zum Verlauf bis zu einem Radius von 40 cm (Artikel in Eiche schwarz oder weiß: 50 cm)
PFLEGE Mit einem in Seifenwasser oder Flüssigreiner getränktem Tuch abreiben, anschließend abspülen und mit einem weichen, sauberen Lappen oder Fensterleder trockenwischen.


Die Hölzer mit Sandoptik können auch mit Querverlauf angefertigt werden (Verlauf in der Breite der Platte). Bitte nehmen Sie dazu mit uns Kontakt auf.

?Die Platten der Kollektion « Contrastes & Matières » sind auch mit strukturierte Oberflächenoptik erhältlich.

Download: Technisches Datenblatt

Verarbeitung

The panels are fabricated and glued in the same manner and on the same substrates as conventional laminates . In addition, we would like to add the following comments:

Storage and handling

Store the panels face to face. Flat storage is the best. It is possible also to store them vertically in racks specially designed to avoid sagging.?It is recommended to store the panels in an atmospherically stabilized room to avoid extreme fluctuations of moisture . When handling, care should be taken to avoid scratches and cracking of the resin . The best way to carry panels is with two persons so that the decorative face is on the concave side.

Conditioning

Bodies of whatever type are never inert . They are sensitive to ambient conditions (temperature and humidity). Due to their real wood surface, the panels are slightly more sensitive to warping than conventional laminates.?Prior to gluing, they have to be perfectly conditioned. If they are glued when moist, there is a risk of cracking due to shrinking of the wood, particulary in winter when humidity often falls below 20%.The best method of conditioning is to store substrates and panels for a period of 8 to 10 days in the same room where the atmospheric conditions are the closest possible to those of the site where they are to be used . This is especially important in the case of overheated rooms without humidity control . Ideal conditions are :

  • - Temperature : from 18° C to 22° C
  • - Relative humidity : 50 to 60%

There is a risk of cracking due to shrinkage of the wood if the panel is used too moist, while too dry a panel may expand with, as a result, warping or?blisters on the surface, if gluing was not perfect.?Conditioning is effective only if air circulation is possible between the sheets during storage. When substrates are to be faced on both sides it is advisable to stack panels and substrates in the same sequence as their eventual construction in order to achieve hygrometric balance. A dry atmosphere is preferable to high humidity.

Substrates

The panels can be applied to all kinds of base material having a perfectly flat and thoroughly clean surface, such as particle board, MDF, etc, with the exception of solid wood.?Gluing to metal requires careful preparation of the surface, particular attention being paid to thorough degreasing with a strong solvent (trichlorethylene, etc...). Bonding on cement or gips substrate is to be avoided.

Balancing

To avoid warping of a panel lined with an OBERFLEX type laminate, the stress on both sides must be balanced . The best result is obtained by using an OBERFLEX type laminate on both sides . Another, more economical method, though without any guarantee on our part, is to obtain a balance by using an ordinary laminate of the same thickness (note that OBERFLEX type panel thickness may vary depending on the wood species).?Example : a 1mm thick Oberflex panel should be balanced with another 1mm thick laminate.?Narrow panels for wall covering, held rigidly in place by a securing system or reinforcement, can have just an OBERFLEX face side, if the back side is protected from humidity and covered with an ordinary veneer, paint, lacquer or a vapour-resistant varnish.

Gluing

The surface to be glued must be sound, thoroughly dry, clean and free of dust, wood chips and oil.

Press Gluing. Gluing with the use of a press is the safest method. Conventional adhesives?normally applied to laminates are recommended (vinyl glue, formol urea glue, etc...). When gluing with a hot press, do not exceed 60°C. Above that temperature, there would be risks of creating?tension harmful to effective adhesion.

Gluing without a press. A number of neoprene glues available on the market may be used. Glue at an ambient temperature of between 18°C and 22°C with a 40 to 60% relative humidity rating. Dry heat is an advantage, cold delays evaporation of the solvents, while overly high humidity can cause harmful condensation.

Description of the different neoprene adhesives to use:?a. High performance polychloroprene adhesive, which is a currently available contact adhesive?normally suitable for all gluing work requiring strong adhesion. We recommend the use of ?PATTEX Super puissante», «PANO-ASD» and «AGOPLAC».

b. High temperature resisting polychloroprene adhesive, should be used in all cases where an excellent mechanical resistance to high temperature (up to 120°C) is called for . We recommend the use of «PATTEX SPECIAL (HENKEL)», «AGOPLAC NCP (LAMBIOTTE)» and «NEOPRENE GEL (SADER)». ?Application of the adhesive . Prior to application, the adhesive must be thoroughly homogenized . Apply a regular, symmetrical coat of glue to the two sides to be bonded, use an appropriate tool (serrated trowel, gluing roller, short-bristle brush, spraying gun) . Ensure the coat is sufficiently thick on the edges . If the glue is applied with the aid of a serrated trowel, the direction of application on substrate and decorative laminate should be at right angles to each other.?After evaporation of the solvent, the glue film must be clearly visible and sufficiently thick. In the case of porous or extremely absorbant surfaces, several coats of adhesive must be applied. Before gluing the two units, both glue films must be touch-dry (the adhesive must not stick when touched) . Observe the curing times specified by the glue manufacturer.?Comment: An overly brief evaporation time creates a risk of incomplete evaporation of the solvent (weakening of the gluing) . An overly long time leads to poor adhesion of the two glue films. Note: it is not recommended to apply the glue direct with the laminates vertically installed. Application should be with the laminates in horizontal position .

Gluing of CSTB-tested «M1» fire rated panels:

The adhesives referred hereabove are for use with our standard grade panels. In the case of fire-retardent grade panels, which have a different underlay and are applied to different types of substrates themselves fireproof, we recommend contacting the glue manufacturer to ascertain the product best suited in each case. Certain glues recommended for use with our standard grade panels are in fact unsuitable for fire-retardent grade sheets.

Hand pressing

Only a roller can achieve results comparable to a press . We recommend the Pattex roller most suitable for this task . Rolling should be in both directions starting from the centre and working towards the outside, paying particular attention to the edges.?Important: Strong pressure on the roller is recommended.

Fabrication

Sawing - milling - drilling: can be done with all tools currently used for the fabrication of laminates.

Protection of cut edges

Following levelling, the cut edge of the wood must be isolated from the air in the direction of the wood grain by application of a clear varnish to ensure even better aging of the wood and?prevent oxidation.

Cleaning off glue residue

Vinyl glue stains (white glue) are water-soluble and may be easily removed. Stains from neoprene or formol urea glues (with separate hardener) must be removed immediately . If the glue deposits have had time to harden on the panel surface, there will be difficult to remove without damaging the panel’s surface finish, their removal being possible only with a sharp-edge chisel.

Technical assistance

Our technical department is at your disposal to help and advise in each particular case. The information offered in such cases, as well as that contained herein, is given to the user in good faith and to the best of our knowledge. However, the only criteria we take into account and guarantee is the intrinsic quality of our products.

Projekte

Paris - Architekturbüros : Agence Sahuc et Katchoura

Bibliothèque de Sciences Po

Lyon - Designer : Patrick Norguet

Hôtel Sofitel

Évian - Architekturbüro : Agence Ocre Bleu - Jean-Phillipe Nuel

Hôtel Hilton